



Artist JAMES WHISTLER scrapes by with MAUD FRANKLIN begging rich men for patronage. Whistler pitches commissions to FREDERICK LEYLAND over the skepticism of Leyland's wife FRANCES. Taken by Whistler's charm, the Leylands push Frances' rebellious sister LIZZIE on him. The match worries and frustrates Maud, moreso when the unsupervised artist focuses his energy on "perfecting" the Leyland's dining room during Frederick's time abroad. Lizzie retaliates by disclosing Frederick's infidelity. Frances vows revenge and takes to personally encourage the artist. Wanting more, Whistler pulls a publicity stunt, inviting the press into the Leyland's home. Frederick lashes out at Frances, who then seduces Whistler, inducing the artist to discard Maud and paint the Leyland dining room gold. Frederick returns, demanding Whistler marry Lizzie and cutting off further payment. Lizzie breaks the engagement, Whistler repaints the dining room blue, and Frederick finally loses patience, insulting and dismissing the artist. Whistler substitutes a mural of fighting peacocks for the original commission.Frederick threatens public humiliation, and Whistler sues for libel. The artist is bankrupted by victory and forced by Frederick to sell everything he owns. When Maud returns to salvage her things, Whistler sees he's gotten her pregnant, like one of Frederick's liaisons. Frances leaves them both. Frederick dies alone. Whistler starts anew. CHARLES FREER saves the Peacock Room for posterity.
JAMES MCNEILL WHISTLER, a diva, an artist, an American expat, tenor, 20s-30s
FREDERICK LEYLAND, patron and self-entitled self-made man, baritone, 40s
FRANCES DAWSON (LEYLAND), Frederick's staunch spouse, mezzosoprano, 20s-30s
MAUD FRANKLIN, model, muse, lover of and partner to Whistler, soprano 20-30s, to double as LIZZIE DAWSON, Frances' younger sister and
BEATRICE PHILIP GODWIN, artist, and wife of Edward GodwinThe remaining roles are to be played by from 2-6 actors as follows:Man 3 – 5 (these roles need not be doubled, provided the male ensemble should not exceed the size of the female ensemble)…
CHARLES FREER, patron-industrialist and Whistler's guardian angel, tenor/baritone, 30s-50s…
JOHN BIBBY, Leyland's former business partner, 50s… OSCAR WILDE, writer, pundit, and Whistler frenemy, 20s…
EDWARD GODWIN, art critic…
MANSERVANT…
BARRISTER…
BARON HUDDLESTON, Exchequer judge…
LONDONER
ANNA WHISTLER, Whistler's mother, alto/mezzosoprano, 50s-60s
GABRIEL ROSSETTI, artist, gallery-owner, and Whistler confidante, 30s-40s
AUBREY BEARDSLEY, artist and Wilde protégé, late teens to early 20s
ATTORNEY-GENERAL
MUSEUM GOER
WOMAN 3 – 5 (these roles need not be doubled, provided the female ensemble should not exceed the size of the male ensemble
Piano